Self-Reflexivity and Typographic Innovations in Laurence Sterne's "The Vicar of Wakefield" Self-reflexivity, a literary technique where characters and the na...
Self-reflexivity, a literary technique where characters and the narrative actively engage with the text's form and themes, pervades Laurence Sterne's "The Vicar of Wakefield." Through a variety of stylistic elements, Sterne explores the interplay between self-consciousness, linguistic play, and the limitations of form in shaping human experience.
The internal monologue reveals Sterne's self-awareness:
This reveals his self-reflection, acknowledging the potential consequences of his actions and the inherent beauty and danger of self-deception.
Stylistic innovations enhance the play on language:
Sterne employs metaphorical language to explore the dichotomy between the vicar's self-delusion and the stark reality of his situation. He compares himself to a "whale that has seen too much," highlighting the tragic consequences of his vanity. (p. 22)
The dialogue reveals his self-awareness and the satirical nature of his humor. His witty remarks, though ironic, expose the hypocrisy of his outward persona and reveal his self-centeredness. (p. 24)
The form itself becomes a subject of discussion:
Sterne's narrative employs stream of consciousness and asynchronous narrative, blurring the lines between the vicar's present and past experiences. This creates a sense of self-reflection and introspection. (p. 25)
The unreliable narrator introduces a layer of self-commentary, directly addressing the reader and reflecting on the nature of storytelling. (p. 38)
Through self-reflexivity and stylistic innovations, Sterne challenges the traditional conventions of 18th-century literature. His characters, their dialogue, and the form itself become vehicles for exploring the complexities of self-knowledge, language, and the boundaries of human experience